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home·artworks·Card Playing Soldiers
Card Playing Soldiers by Willem Cornelisz Duyster

plate no. 4023

Card Playing Soldiers

Willem Cornelisz Duyster, 1630

oilBaroquegenre paintingfiguressoldierscardsdruminteriorhats
experienced study

Recreating this painting will help students develop skills in rendering figures with realistic lighting and textures, as well as creating a sense of depth and atmosphere through subtle value changes. It also provides practice in depicting complex materials like fabric, metal, and wood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light charcoal sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint, focusing on the overall value structure.

  3. step 03

    Develop the background and establish the dark areas to create contrast and depth.

  4. step 04

    Start building up the details of the figures, paying attention to the folds in the clothing and the textures of the armor and hats.

  5. step 05

    Carefully render the faces, focusing on capturing the expressions and subtle variations in skin tone.

  6. step 06

    Add highlights and shadows to create a sense of volume and dimension.

  7. step 07

    Refine the details of the cards, drum, and other objects, paying attention to their textures and surfaces.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve the subtle variations in skin tone by mixing burnt umber, raw sienna, and titanium white. Use ultramarine blue and ivory black to create the dark shadows. Mix yellow ochre with burnt umber and white for the lighter fabrics.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.
  • →Losing the sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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