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home·artworks·Captain Nathan H. Manter
Captain Nathan H. Manter by Eastman Johnson

plate no. 8629

Captain Nathan H. Manter

Eastman Johnson, 1873

oilRealismportraitportraitmanhatclothingfigurehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create depth and form. It also offers practice in loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and clothing.

  2. step 02

    Establish the background with a thin wash of neutral tones.

  3. step 03

    Block in the main areas of color for the skin, hat, and clothing, focusing on the overall values.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the clothing, using loose brushstrokes to suggest texture and form.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the edges and details, ensuring that the painting has a cohesive and unified look.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use yellow ochre and cadmium red light sparingly to add warmth to the skin tones and clothing.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·limited palette
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to capture the subtle shifts in value and color that create depth and form.
  • →Using too much color and creating a painting that looks unnatural.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas can be helpful for establishing the overall value range of the painting.

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oil painting for beginners →how to learn by studying the masters →
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