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home·artworks·Camino a Chalco con los volcanes
Camino a Chalco con los volcanes by Jose Maria Velasco

plate no. 0729

Camino a Chalco con los volcanes

Jose Maria Velasco, 1891

oilRealismlandscapemountainsskycloudslandscapefieldtrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and realism in a landscape. It also provides practice in rendering clouds and distant mountains.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, mountains, and foreground elements.

  2. step 02

    Block in the sky with light blue and white, paying attention to the cloud formations.

  3. step 03

    Establish the mountain ranges using muted blues, purples, and grays, focusing on atmospheric perspective.

  4. step 04

    Paint the midground with a mix of browns and greens, creating a sense of distance.

  5. step 05

    Add details to the foreground, including the road, trees, and bushes.

  6. step 06

    Refine the cloud shapes and values, adding highlights and shadows.

  7. step 07

    Adjust the colors and values throughout the painting to create a cohesive and realistic scene.

  8. step 08

    Add final details and highlights to the foreground elements.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the atmospheric perspective by mixing blues and purples with white to create lighter, cooler tones for distant mountains. Mix greens with browns and yellows for the foreground vegetation.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, making the painting look unrealistic.
  • →Overworking the details in the foreground, distracting from the overall composition.
  • →Not paying attention to the values, resulting in a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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