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home·artworks·By the Girl's Bed
By the Girl's Bed by Jakub Schikaneder

plate no. 9657

By the Girl's Bed

Jakub Schikaneder, 1910

oilRealisminteriorinteriorfigurecandlebedwindowlight
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering subtle light effects using a limited color palette. It also provides practice in depicting figures in shadow and suggesting details rather than explicitly defining them.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown or gray.

  2. step 02

    Lightly sketch the main compositional elements: the bed, the figure, the window, and the candle.

  3. step 03

    Establish the darkest areas of the painting using a dark brown or black.

  4. step 04

    Block in the general areas of light and shadow, focusing on the overall value structure.

  5. step 05

    Begin to refine the light around the candle, using thin layers of yellow and orange.

  6. step 06

    Soften the edges of the forms and blend the colors to create a sense of atmosphere.

  7. step 07

    Add subtle details to the figure and the bed, keeping them soft and indistinct.

  8. step 08

    Add final highlights and adjust values to create depth and dimension.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · cadmium yellow · ultramarine blue

Achieve the warm glow by mixing yellow ochre and cadmium yellow. Use burnt umber and ultramarine blue to create the dark shadows. Add titanium white to lighten the colors and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the atmospheric effect.
  • →Making the colors too saturated and bright.
  • →Failing to establish a strong value structure.
  • →Not blending the colors enough to create a soft, diffused light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·cadmium yellow oil paint
  • ·ultramarine blue oil paint
  • ·medium (e.g., Liquin)

A pre-toned canvas will help to establish the overall mood and value structure of the painting.

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oil painting for beginners →how to learn by studying the masters →
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