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home·artworks·By the fireplace
By the fireplace by Giuseppe de Nittis

plate no. 2870

By the fireplace

Giuseppe de Nittis, 1864

oil, panelRealismgenre paintingfigureinteriorfireplacelightdomesticchair
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow and creating a sense of depth with a limited color palette. It will also improve their ability to suggest form with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the figure's placement and the light source.

  2. step 02

    Establish the darkest areas of the painting with a mix of burnt umber and black.

  3. step 03

    Block in the mid-tones using a mix of burnt sienna, raw umber, and white.

  4. step 04

    Add the highlights, focusing on the light falling on the figure and the surrounding areas.

  5. step 05

    Refine the details of the figure's face and clothing, using small, precise brushstrokes.

  6. step 06

    Create the texture of the fireplace and the surrounding objects with dry brush techniques.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · burnt sienna · titanium white

secondary · raw umber · black · ultramarine blue

Achieve the warm browns by mixing burnt umber and burnt sienna. Use white to lighten the colors and create highlights. Add small amounts of ultramarine blue to darken the shadows and create cool tones.

techniques

  • ·dry brush
  • ·scumbling
  • ·value studies
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to capture the subtle variations in value and color.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of the light source and its effect on the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ultramarine blue oil paint

Use a canvas with a smooth surface to allow for easy blending. Consider using a toned canvas to establish the mid-tones of the painting.

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oil painting for beginners →how to learn by studying the masters →
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