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home·artworks·Bust of a Man
Bust of a Man by Gerrit Dou

plate no. 7113

Bust of a Man

Gerrit Dou, 1645

oil, panelBaroqueportraitportraitmanbeardclothingheadwearoval
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in subtle blending and value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the head and shoulders.

  2. step 02

    Block in the main areas of color: background, clothing, skin, and beard.

  3. step 03

    Establish the darkest values in the background and clothing.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle shifts in color and value.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, focusing on accurate placement and proportions.

  6. step 06

    Refine the beard with delicate brushstrokes, capturing the texture and highlights.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Darken colors with ivory black and raw umber. Use white to create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle shifts in value, leading to a flat and lifeless portrait.
  • →Inaccurate proportions of the facial features.
  • →Ignoring the importance of the background in creating depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (oval, 12x16 inches)
  • ·oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna, alizarin crimson)
  • ·assorted round and flat brushes
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can help establish a warm undertone.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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