
plate no. 7113
Gerrit Dou, 1645
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in subtle blending and value control.
technical profile
approach — 8 steps
Lightly sketch the oval shape and the basic proportions of the head and shoulders.
Block in the main areas of color: background, clothing, skin, and beard.
Establish the darkest values in the background and clothing.
Begin layering and blending the skin tones, paying attention to subtle shifts in color and value.
Add details to the face, such as the eyes, nose, and mouth, focusing on accurate placement and proportions.
Refine the beard with delicate brushstrokes, capturing the texture and highlights.
Adjust the values and colors throughout the painting to create a sense of depth and realism.
Add final highlights and details to complete the portrait.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · burnt sienna · cadmium yellow light · alizarin crimson
Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Darken colors with ivory black and raw umber. Use white to create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can help establish a warm undertone.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne