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home·artworks·Burning of Clement the Scotchman, AD 756
Burning of Clement the Scotchman, AD 756 by Jan Luyken

plate no. 1303

Burning of Clement the Scotchman, AD 756

Jan Luyken, 1684

etchingBaroqueillustrationfirefiguresbuildingskycrowdexecution
experienced study

Recreating this etching helps students understand line weight variation to create depth and form, and how to build up tone through hatching and cross-hatching. It also teaches how to depict complex scenes with many figures and details.

technical profile

palette complexity
2
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the main figures and the building.

  2. step 02

    Begin adding details to the figures in the foreground, using light lines to define their shapes.

  3. step 03

    Start building up tone using hatching, paying attention to the direction of light and shadow.

  4. step 04

    Add cross-hatching in darker areas to create deeper shadows and more contrast.

  5. step 05

    Work on the background elements, such as the building and the sky, using lighter lines and less detail.

  6. step 06

    Focus on the fire, using a combination of short, curved lines and longer, flowing lines to create a sense of movement.

  7. step 07

    Refine the details and add any final touches, such as highlights and shadows.

  8. step 08

    Review the overall composition and make any necessary adjustments.

color palette

primary · black · white

secondary · gray

Vary the intensity of the black ink with water to create different shades of gray.

techniques

  • ·Hatching
  • ·Cross-hatching
  • ·Line weight variation
  • ·Stippling
  • ·Dry brush

common pitfalls

  • →Using lines that are too uniform in weight and direction.
  • →Overworking the details and losing the overall composition.
  • →Not paying attention to the direction of light and shadow.
  • →Creating lines that are too dark or too light, resulting in a lack of contrast.

materials

surface · Smooth drawing paper

required

  • ·Smooth paper
  • ·Pencil (HB)
  • ·Eraser
  • ·Fine-tipped drawing pen (0.1mm)
  • ·Fine-tipped drawing pen (0.3mm)
  • ·Ruler
  • ·Tracing paper

optional

  • ·Magnifying glass
  • ·Ink wash

Use high-quality drawing paper that can withstand multiple layers of ink. Experiment with different pen sizes to achieve varying line weights.

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chiaroscuro →how to learn by studying the masters →
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