apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Burning of 224 Waldensians, Toulon, AD 1243
Burning of 224 Waldensians, Toulon, AD 1243 by Jan Luyken

plate no. 1688

Burning of 224 Waldensians, Toulon, AD 1243

Jan Luyken, 1684

etchingBaroqueillustrationfiguresfiresmokebuildinglandscapeexecution
experienced study

Recreating this etching will develop skills in line work, shading techniques, and creating depth through varying line thickness and density. Students will also learn to depict complex scenes with many figures and elements.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light pencil sketch of the overall composition, focusing on the placement of major elements like the figures, fire, and buildings.

  2. step 02

    Establish the horizon line and basic perspective.

  3. step 03

    Start inking the darkest areas, such as the smoke and shadows, using closely spaced lines.

  4. step 04

    Gradually build up the mid-tones by varying the spacing and thickness of the lines.

  5. step 05

    Use cross-hatching to create darker values and add texture.

  6. step 06

    Pay attention to the direction of the lines to convey form and volume.

  7. step 07

    Add finer details, such as facial features and clothing folds.

  8. step 08

    Erase any remaining pencil lines and refine the linework.

color palette

primary · black · white

secondary · gray

This is a monochrome image, so the key is to create variations in value using different line densities and cross-hatching.

techniques

  • ·Hatching
  • ·Cross-hatching
  • ·Stippling (optional, for very dark areas)
  • ·Line weight variation
  • ·Creating depth through line density

common pitfalls

  • →Making lines too uniform, resulting in a flat image.
  • →Not varying line thickness enough to create depth.
  • →Overworking the image and losing clarity.
  • →Ignoring the direction of lines, which can flatten forms.

materials

surface · Smooth paper (Bristol board recommended)

required

  • ·Smooth paper (e.g., Bristol board)
  • ·Pencils (HB, 2B)
  • ·Fine-tipped ink pens (various sizes)
  • ·Eraser
  • ·Ruler

optional

  • ·Magnifying glass
  • ·Tracing paper
  • ·Drafting compass

Use archival quality ink to ensure the longevity of the artwork. Experiment with different pen sizes to achieve varying line weights.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne