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Bubbles by John Everett Millais

plate no. 1903

Bubbles

John Everett Millais, 1886

oil, canvasRealismgenre paintingfigurechildbubbleinteriorclothingbowl
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and fabric, as well as creating atmospheric depth through careful value control and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the bubble.

  2. step 02

    Establish the background with broad, blended strokes of dark browns and reds.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and pose.

  4. step 04

    Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Define the details of the clothing, including the ruffles and buttons, using subtle variations in color and value.

  6. step 06

    Paint the bowl and pipe, focusing on their texture and form.

  7. step 07

    Add the bubble, using thin layers of iridescent colors to create its translucent effect.

  8. step 08

    Refine the details and adjust the overall values to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, sienna, and a touch of crimson or yellow. Darken colors with umber or black, and create subtle variations by adding small amounts of blue or green.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium yellow, alizarin crimson, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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