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Brno by Ivan Grohar

plate no. 7165

Brno

Ivan Grohar, 1899

oilRealismgenre paintingfiguresinteriortableclothingpartyroom
experienced study

Recreating this painting will help students develop skills in depicting figures in a complex interior space and understanding how to create depth through atmospheric perspective and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the composition, focusing on the placement of the figures and the main elements of the room.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Start building up the colors of the background, paying attention to the subtle shifts in tone and temperature.

  4. step 04

    Focus on the figures, working from general shapes to more specific details, and capturing the unique characteristics of each person.

  5. step 05

    Pay close attention to the lighting and how it affects the colors and values of the scene.

  6. step 06

    Refine the details, such as the clothing, faces, and objects on the table, using smaller brushes and more precise strokes.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious overall effect.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes to create depth and subtle color variations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the colors and losing the freshness of the original.
  • →Ignoring the subtle shifts in tone and temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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