apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bridge of Dee - Aberdeen
Bridge of Dee - Aberdeen by Tom Scott

plate no. 9054

Bridge of Dee - Aberdeen

Tom Scott, 1887

oilRealismcityscapebridgeriverbuildingstreesskyfigures
some experience helpful

This painting offers practice in creating atmospheric perspective and rendering reflections in water. Students can learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the bridge, riverbanks, buildings, and trees.

  2. step 02

    Establish the horizon line and the basic perspective of the bridge.

  3. step 03

    Apply a light wash of diluted blue and gray for the sky, allowing it to dry.

  4. step 04

    Paint the distant buildings and trees with muted greens and grays, using a wet-on-wet technique for soft edges.

  5. step 05

    Add the bridge with a light gray wash, paying attention to the arches and their reflections in the water.

  6. step 06

    Paint the river with horizontal strokes of varying blues and grays, reflecting the sky and the bridge.

  7. step 07

    Add details to the foreground riverbank with browns and greens, including the figures and boat.

  8. step 08

    Refine the details of the trees and buildings, adding shadows and highlights to create depth.

color palette

primary · cerulean blue · raw umber · burnt sienna

secondary · sap green · payne's gray

Mix blues and grays for the sky and water. Use raw umber and burnt sienna for earth tones. Muted greens are achieved by mixing sap green with raw umber.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking details in the background
  • →Using colors that are too saturated
  • →Ignoring the effects of light and shadow
  • →Incorrect perspective of the bridge

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy