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home·artworks·Bridge at Dolo
Bridge at Dolo by Francesco Guardi

plate no. 4486

Bridge at Dolo

Francesco Guardi

oil, canvasBaroquecityscapebridgewaterbuildingsfiguresboatssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, expressive brushstrokes. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the bridge, buildings, and water, paying attention to proportions.

  2. step 02

    Establish the overall value structure with a thin wash of diluted brown and blue tones.

  3. step 03

    Block in the main areas of color, focusing on the warm tones of the buildings and the cool tones of the water and sky.

  4. step 04

    Add details to the bridge and buildings, using small brushstrokes to suggest texture and form.

  5. step 05

    Paint the figures on the bridge and in the boats, simplifying their forms and focusing on their silhouettes.

  6. step 06

    Refine the reflections in the water, using horizontal brushstrokes to create a sense of movement.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · ultramarine blue · titanium white

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use thin washes of color to create depth and atmosphere.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Using colors that are too saturated
  • →Failing to establish a strong value structure
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·turpentine
  • ·round brushes size 2 and 6

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Thin the oil paints with linseed oil and turpentine for better blending and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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