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home·artworks·Breaking Waves I
Breaking Waves I by David James

plate no. 2597

Breaking Waves I

David James, 1890

oilRealismmarinawavesoceanskywaterbirdsclouds
some experience helpful

Recreating this painting will help students develop skills in depicting the movement and texture of water, as well as understanding atmospheric perspective and color mixing for realistic seascapes. Students will also learn to create depth through layering and value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the major wave formations.

  2. step 02

    Establish the sky with a light blue base, adding subtle variations in tone for the clouds.

  3. step 03

    Block in the dark areas of the ocean with a mix of blues and greens, paying attention to the overall value structure.

  4. step 04

    Begin layering in the lighter areas of the waves, using a mix of white, turquoise, and light blues.

  5. step 05

    Focus on the foam and splashes, using short, broken brushstrokes to create texture.

  6. step 06

    Refine the details of the waves, adding highlights and shadows to create depth and dimension.

  7. step 07

    Add the birds in the sky, paying attention to their scale and placement.

  8. step 08

    Review and adjust the overall composition, ensuring that the values and colors are balanced.

color palette

primary · ultramarine blue · titanium white · viridian green

secondary · yellow ochre · burnt umber

Achieve the various blues and greens by mixing ultramarine blue and viridian green with varying amounts of titanium white. Use yellow ochre and burnt umber to create warmer tones for the highlights and reflections.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much white, resulting in a chalky appearance.
  • →Ignoring the subtle color variations in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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