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home·artworks·Brama na Starym Mieście
Brama na Starym Mieście by Aleksander Gierymski

plate no. 0330

Brama na Starym Mieście

Aleksander Gierymski, 1883

oilRealismgenre paintingstreet scenefiguresarchitecturebuildingmarketcityscape
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex environment and capturing atmospheric perspective with a limited color palette. It also provides practice in depicting textures of different materials like stone, clothing, and wood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the placement of the building and figures.

  2. step 02

    Establish the basic values with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main shapes of the building and figures, paying attention to their relative sizes and positions.

  4. step 04

    Begin to develop the details of the architecture, such as the arches, signs, and ornamentation.

  5. step 05

    Add details to the figures, including their clothing, faces, and gestures.

  6. step 06

    Refine the lighting and shadows, creating a sense of depth and atmosphere.

  7. step 07

    Add final details, such as highlights and textures, to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · yellow ochre · cadmium red light

Achieve the various browns and earth tones by mixing burnt umber with white, yellow ochre, and a touch of red. Use black sparingly to create shadows and darker areas.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Using too much black, which can make the painting look muddy.
  • →Ignoring the importance of atmospheric perspective, which can flatten the image.
  • →Failing to capture the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a high-quality canvas and oil paints for best results. Consider using a medium to speed up drying time and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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