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home·artworks·Boys Swimming in the Porvoo River
Boys Swimming in the Porvoo River by Albert Edelfelt

plate no. 4115

Boys Swimming in the Porvoo River

Albert Edelfelt

oilRealismgenre paintingriverbuildingschildrenwaterreflectionstown
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and capturing the nuances of light and shadow on various surfaces. It also provides practice in painting figures in a naturalistic setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, river, and figures.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the main color areas for the sky, water, buildings, and figures.

  4. step 04

    Begin to refine the shapes and values of the buildings, paying attention to the details of the architecture.

  5. step 05

    Develop the reflections in the water, using broken brushstrokes and subtle color variations.

  6. step 06

    Add details to the figures, focusing on capturing their poses and gestures.

  7. step 07

    Refine the overall composition, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final details to the water ripples and surface texture.

color palette

primary · burnt sienna · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · raw umber · ivory black

Achieve the warm tones of the buildings by mixing burnt sienna with yellow ochre and a touch of cadmium red. Create the cool tones of the water by mixing ultramarine blue with titanium white and a hint of raw umber.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima
  • ·layering

common pitfalls

  • →Overworking the reflections, resulting in a muddy or unrealistic effect.
  • →Failing to capture the subtle color variations in the water.
  • →Ignoring the perspective of the buildings, leading to a flat or distorted composition.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas to allow for both smooth blending and textured brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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