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home·artworks·Boy with a Spear
Boy with a Spear by Nicolaes Maes

plate no. 9244

Boy with a Spear

Nicolaes Maes

oilBaroqueportraitportraitfigureclothingspearlandscapehair
experienced study

Recreating this painting would help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding the use of chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure by blocking in the dark areas and mid-tones with thin washes.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, paying attention to highlights and shadows.

  4. step 04

    Define the details of the clothing, including the lace collar and the folds of the sleeves, using small brushstrokes.

  5. step 05

    Refine the facial features, focusing on capturing the likeness and expression of the subject.

  6. step 06

    Add details to the hair, using varying brushstrokes to create texture and movement.

  7. step 07

    Develop the background with soft, blended brushstrokes to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · ivory black · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and umber to create dark shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Incorrect proportions of the figure.
  • →Losing the light source and creating inconsistent shadows.
  • →Getting bogged down in details too early.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (raw umber, ivory black, titanium white, cadmium red light, yellow ochre, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to establish a mid-tone base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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