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home·artworks·Boy from Sakkijarvi
Boy from Sakkijarvi by Hugo Simberg

plate no. 3034

Boy from Sakkijarvi

Hugo Simberg, 1897

oilRealismportraitportraitboyfiguredark backgroundprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using value to create form. It also provides practice in creating a moody atmosphere through limited color palette and dramatic lighting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the boy's head, shoulders, and the background.

  2. step 02

    Establish the darkest areas of the background and clothing with a dark brown or black.

  3. step 03

    Block in the general skin tone with a mid-tone flesh color.

  4. step 04

    Begin to refine the facial features, paying close attention to the proportions and angles.

  5. step 05

    Add highlights to the face and hair, using lighter shades of the skin tone and white.

  6. step 06

    Develop the background further, adding subtle variations in color and texture.

  7. step 07

    Refine the details of the clothing, adding shadows and highlights to create depth.

  8. step 08

    Add final touches and adjust values as needed to achieve the desired effect.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · burnt sienna

Mix the skin tones by combining white, yellow ochre, and a touch of red. Use raw umber and black for the dark areas, and add white to create lighter shades. The background is achieved by mixing raw umber, black, and a touch of yellow ochre.

techniques

  • ·value studies
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to establish a strong value contrast.
  • →Getting the proportions of the facial features wrong.
  • →Ignoring the subtle color variations in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette knife

optional

  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a smooth surface for easier blending. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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