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home·artworks·Boy Blowing Bubbles
Boy Blowing Bubbles by Frans van Mieris the Elder

plate no. 6181

Boy Blowing Bubbles

Frans van Mieris the Elder, 1663

oilBaroquegenre paintingfigurewindowstill lifefoliageportraitbubble
experienced study

Recreating this painting will help students understand chiaroscuro and how to create depth using subtle value changes. It also offers practice in rendering realistic textures like fabric and glass.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the window, figures, and still life elements.

  2. step 02

    Establish the dark background and the overall value structure of the painting.

  3. step 03

    Block in the main colors of the figures, window frame, and still life objects.

  4. step 04

    Begin refining the details of the boy's face and hands, focusing on the highlights and shadows.

  5. step 05

    Work on the textures of the fabric, feather, and glass bubble, using layering and glazing techniques.

  6. step 06

    Add details to the foliage and the background figure, keeping them soft and less defined.

  7. step 07

    Refine the lighting and shadows throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · ivory black · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · sap green

Achieve the skin tones by mixing yellow ochre, cadmium red, and white, with small amounts of umber for shadows. Use glazes of red and umber to create the rich colors of the fabric.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·layering
  • ·rendering textures

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not blending the edges of the forms sufficiently.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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