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home·artworks·Bourgmestre hollandais
Bourgmestre hollandais by Sébastien Bourdon

plate no. 3302

Bourgmestre hollandais

Sébastien Bourdon, 1650

oilBaroqueportraitportraitfigureclothingmanhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose.

  2. step 02

    Block in the main shapes of the background, clothing, and skin tones with thin washes of color.

  3. step 03

    Gradually build up the values in the background, creating depth and atmosphere.

  4. step 04

    Focus on accurately capturing the facial features, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the clothing, including the ruffles and folds.

  6. step 06

    Refine the skin tones, adding subtle variations in color and value.

  7. step 07

    Add final highlights and details to the face and clothing.

  8. step 08

    Glaze with thin layers to unify the painting and adjust the values.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Mix skin tones using white, yellow ochre, a touch of red, and a small amount of umber. Achieve dark values by mixing black and umber, and lighten with white. Use glazes of burnt sienna to add warmth to the skin.

techniques

  • ·portraiture
  • ·glazing
  • ·value study
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the dark values too flat and lacking depth.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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