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home·artworks·Boston Public Garden
Boston Public Garden by Edward E. Simmons

plate no. 3470

Boston Public Garden

Edward E. Simmons, 1893

oilRealismlandscapetreessnowfigurescarriageswinterlandscape
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and capturing the subtle color variations in snow and winter light. It also provides practice in rendering complex tree branches and figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figures, and carriages.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the large areas of color, starting with the sky and snow-covered ground.

  4. step 04

    Add the darker tones of the trees and figures, paying attention to their shapes and silhouettes.

  5. step 05

    Develop the details of the trees, including the branches and twigs, using a variety of brushstrokes.

  6. step 06

    Refine the figures and carriages, adding details such as clothing and wheels.

  7. step 07

    Add highlights to the snow and trees to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and realistic effect.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ultramarine blue · yellow ochre · cadmium red

Mix white with small amounts of raw umber and burnt sienna to create the various shades of snow. Use ultramarine blue and burnt sienna to create the darker tones of the trees and figures. Add yellow ochre to white for the sky.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Making the colors too saturated and not capturing the muted tones of winter.
  • →Failing to create a sense of depth and distance through atmospheric perspective.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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