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home·artworks·Booker T. Washington
Booker T. Washington by Henry Ossawa Tanner

plate no. 6102

Booker T. Washington

Henry Ossawa Tanner, 1917

oilRealismportraitportraitfiguremanclothingformal wearbow tie
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with light and shadow. It also provides practice in creating subtle color variations and visible brushstrokes to add texture and depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and clothing.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the skin tones and clothing.

  3. step 03

    Establish the light and shadow patterns on the face and clothing, using a limited palette of colors.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing, such as the collar, bow tie, and jacket.

  6. step 06

    Develop the background, adding subtle variations in color and texture.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Mix various combinations of ivory black, raw umber, yellow ochre, and titanium white to achieve the subtle skin tones. Use small amounts of burnt sienna and ultramarine blue to adjust the warmth and coolness of the colors.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·glazing

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the facial features
  • →Muddying the colors by overmixing
  • →Ignoring the light and shadow patterns

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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