apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bombardment of Marghera Made by the Austrian Army on the Night of May 24, 1849
Bombardment of Marghera Made by the Austrian Army on the Night of May 24, 1849 by Ippolito Caffi

plate no. 4011

Bombardment of Marghera Made by the Austrian Army on the Night of May 24, 1849

Ippolito Caffi, 1849

oil, canvasRealismcityscapecityscapenightfirewaterbridgebuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, creating depth with value, and capturing the effects of light in a dark environment. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a dark underpainting (burnt umber or black).

  2. step 02

    Sketch the basic composition: horizon line, bridge, and building silhouettes.

  3. step 03

    Establish the darkest areas of the sky and water using a near-black mix.

  4. step 04

    Block in the areas of fire and explosions with a warm orange/red mix, focusing on the brightest points.

  5. step 05

    Gradually build up the mid-tones around the fire, blending into the dark sky.

  6. step 06

    Add highlights to the water and bridge to reflect the firelight.

  7. step 07

    Refine the details of the buildings and figures on the bridge.

  8. step 08

    Add subtle details like sparks and smoke to enhance the atmosphere.

color palette

primary · burnt umber · ivory black · cadmium red · cadmium orange

secondary · yellow ochre · ultramarine blue

Achieve the dark tones by mixing burnt umber and ivory black. Create the fire glow by mixing cadmium red and cadmium orange, adding yellow ochre for highlights. Use ultramarine blue sparingly to cool down the dark areas and create depth.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early.
  • →Making the fire too uniform in color and intensity.
  • →Losing the sense of depth and atmosphere.
  • →Not using enough contrast between light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·cadmium orange oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

A pre-toned canvas with a dark underpainting will be helpful. Use a high-quality linseed oil to thin the paints and create glazes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy