apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bolting Girl
Bolting Girl by Janos Tornyai

plate no. 1713

Bolting Girl

Janos Tornyai, 1900

oilRealismgenre paintingfigurewomanaprontableinteriorstill life
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing realistic skin tones, and creating depth through subtle value changes. It also provides practice in painting fabric and simple still life elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the dark background using a mix of burnt umber and black.

  3. step 03

    Block in the main shapes of the figure and objects with mid-tone values.

  4. step 04

    Begin layering in highlights and shadows on the face and hands, paying attention to the light source.

  5. step 05

    Develop the details of the clothing, focusing on the folds and wrinkles in the apron.

  6. step 06

    Add details to the table and other objects, capturing their textures and forms.

  7. step 07

    Refine the overall painting, adjusting values and adding subtle color variations.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · titanium white · raw sienna

secondary · yellow ochre · cadmium red light · ivory black

Achieve skin tones by mixing burnt umber, titanium white, and a touch of cadmium red light. Create the background by mixing burnt umber and ivory black, adjusting the ratio for subtle value variations.

techniques

  • ·underpainting
  • ·layering
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy