apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bolshaya Neva
Bolshaya Neva by Alexey  Bogolyubov

plate no. 8217

Bolshaya Neva

Alexey Bogolyubov, 1872

canvas, oilRealismcityscaperiverbuildingsskyfiguresboatscityscape
some experience helpful

This painting provides a good opportunity to practice atmospheric perspective and rendering reflections in water. Students can also develop skills in depicting distant architectural details and figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Block in the sky with a thin wash of yellow ochre and white, blending softly.

  3. step 03

    Establish the values of the water, using darker tones near the foreground and lighter tones towards the horizon.

  4. step 04

    Paint the distant buildings and architectural details, using muted colors and soft edges.

  5. step 05

    Add the figures on the pier, paying attention to their relative sizes and positions.

  6. step 06

    Refine the details of the boats and reflections in the water.

  7. step 07

    Add highlights to the sky and water to create a sense of light and atmosphere.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · yellow ochre · titanium white · burnt umber

secondary · ultramarine blue · raw sienna · ivory black

Mix yellow ochre and white for the sky, adding a touch of blue for cooler tones. Use burnt umber and blue for the darker areas of the water and buildings. Raw sienna can be used to create the warm tones in the buildings and pier.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·wet-on-dry blending
  • ·rendering reflections

common pitfalls

  • →Overworking the details in the distant buildings.
  • →Creating too much contrast in the water, making it appear unnatural.
  • →Failing to establish a clear sense of atmospheric perspective.
  • →Using colors that are too saturated, resulting in a painting that looks artificial.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy