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home·artworks·Bois d'Amour
Bois d'Amour by Henry Ossawa Tanner

plate no. 8455

Bois d'Amour

Henry Ossawa Tanner, 1891

oilRealismlandscapetreeslandscapefigurespathfoliagelight
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the effects of light filtering through trees. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main trees.

  2. step 02

    Establish the dark areas under the trees with a mix of dark greens and browns.

  3. step 03

    Begin layering lighter greens and yellows to create the effect of sunlight filtering through the leaves.

  4. step 04

    Block in the figures with simple shapes, paying attention to their relative sizes and positions.

  5. step 05

    Add details to the figures, such as clothing folds and facial features, using small brushstrokes.

  6. step 06

    Develop the path with varying shades of brown and gray, adding highlights where the sun hits.

  7. step 07

    Refine the foliage by adding more layers of color and texture, using both wet-on-wet and dry brush techniques.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · dark green · brown · yellow ochre · titanium white

secondary · ultramarine blue · burnt umber · sap green

Achieve the various green tones by mixing dark green with yellow ochre and a touch of blue. Use burnt umber and white to create the earthy tones of the path and tree trunks. Add small amounts of blue to darken the greens and create shadows.

techniques

  • ·layering
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Making the dark areas too uniform and lacking depth.
  • →Failing to capture the subtle gradations of light and shadow.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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