apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bodegón de guineos, jarra y pajuiles
Bodegón de guineos, jarra y pajuiles by Francisco Oller

plate no. 5355

Bodegón de guineos, jarra y pajuiles

Francisco Oller, 1870

oilRealismstill lifestill lifebananaspitcherglassfruittablecloth
some experience helpful

Recreating this painting will help students develop skills in rendering transparent objects and capturing subtle color variations in light and shadow. It also provides practice in creating a balanced and harmonious composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Block in the main shapes of the pitcher, glass, fruit, and tablecloth with their local colors.

  4. step 04

    Begin to build up layers of color, focusing on the highlights and shadows to create form.

  5. step 05

    Pay close attention to the reflections and refractions in the glass objects.

  6. step 06

    Refine the details of the fruit, adding texture and subtle color variations.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · titanium white · raw umber

secondary · cadmium yellow · burnt sienna · ivory black

Mix various shades of blue and gray for the background. Use yellow ochre and cadmium yellow for the bananas, adding touches of burnt sienna for shadows. Mix white with small amounts of blue and umber for the tablecloth.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Failing to accurately capture the proportions of the objects.
  • →Overworking the details and losing the overall sense of harmony.
  • →Not paying enough attention to the reflections and refractions in the glass.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

A smooth canvas surface will be best for achieving the subtle blends in this painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy