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home·artworks·Blue Ribbon
Blue Ribbon by Abbott Handerson Thayer

plate no. 6006

Blue Ribbon

Abbott Handerson Thayer

oilRealismportraitportraitfiguredresshatflowerswoman
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures with loose brushstrokes. It also provides practice in creating depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and dress.

  2. step 02

    Establish the background using a dark, neutral color, blending it smoothly.

  3. step 03

    Block in the main areas of the dress and hat with white, paying attention to the folds and shadows.

  4. step 04

    Mix skin tones using a combination of white, yellow ochre, and a touch of red, and apply to the face and hands.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Paint the flowers, using a variety of oranges, yellows, and greens.

  7. step 07

    Refine the details of the dress and hat, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and balanced composition.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · cadmium orange · sap green · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber to darken values and create shadows. Mix white with small amounts of other colors to create the various shades of the dress.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·portraiture

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Using too much white, which can make the painting look flat and lifeless.
  • →Neglecting the background, which can detract from the overall composition.
  • →Incorrect proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium orange oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to create a more harmonious color palette.

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oil painting for beginners →how to learn by studying the masters →
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