apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Blinking in the Sun
Blinking in the Sun by Ralph Hedley

plate no. 0094

Blinking in the Sun

Ralph Hedley, 1881

oilRealismanimal paintingcatwindowplantsflowersstill lifeinterior
some experience helpful

Recreating this painting will help students develop skills in rendering fur texture, capturing subtle color variations in natural light, and creating depth through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: window frame, cat, pots, and plants.

  2. step 02

    Block in the background with dark, muted tones.

  3. step 03

    Establish the basic colors of the cat's fur, using a mix of browns, grays, and creams.

  4. step 04

    Paint the flower pots and vase, paying attention to their textures and colors.

  5. step 05

    Add the plants and flowers, focusing on their shapes and details.

  6. step 06

    Refine the details of the cat's fur, adding highlights and shadows.

  7. step 07

    Paint the window frame, capturing the light and shadow.

  8. step 08

    Add final details and highlights to the entire painting.

color palette

primary · burnt umber · raw sienna · titanium white · payne's gray

secondary · cadmium red · cerulean blue · sap green

Mix browns and grays for the cat's fur by combining burnt umber, raw sienna, and payne's gray with varying amounts of white. Achieve the blue of the vase by mixing cerulean blue with white and a touch of gray.

techniques

  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the fur texture, resulting in a flat appearance.
  • →Using colors that are too bright or saturated, losing the muted, naturalistic feel.
  • →Neglecting the subtle variations in light and shadow, making the painting look flat.
  • →Ignoring the details of the plants and flowers, resulting in a generic look.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to make the painting process easier.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy