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home·artworks·Blind Beggar
Blind Beggar by Ralph Hedley

plate no. 3557

Blind Beggar

Ralph Hedley, 1897

oilRealismportraitfigureportraitmanbeardclothinghat
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering textures like hair and fabric. It also provides practice in creating a limited palette and using tonal variations to create form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin wash of neutral tones.

  3. step 03

    Block in the main areas of color for the figure's clothing, hair, and skin, using a limited palette.

  4. step 04

    Begin to refine the facial features, paying close attention to the placement of the eyes, nose, and mouth.

  5. step 05

    Develop the texture of the beard using short, broken brushstrokes and varying values.

  6. step 06

    Add details to the clothing, such as folds, buttons, and highlights.

  7. step 07

    Refine the hands and the hat, paying attention to their form and texture.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing the primary colors with small amounts of secondary colors. Use white to lighten values and black to darken them. Mix a range of grays and browns for the clothing and background.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·tonal layering
  • ·limited palette
  • ·portraiture

common pitfalls

  • →Overworking the details too early
  • →Getting the proportions wrong in the initial sketch
  • →Using too much color and losing the muted effect
  • →Failing to capture the likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grit canvas for a slightly textured surface. Consider using a toned canvas to start with a mid-value background.

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oil painting for beginners →how to learn by studying the masters →
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