apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Black Spot
Black Spot by N.C. Wyeth

plate no. 4442

Black Spot

N.C. Wyeth

oilRealismillustrationpiratesfiguresbookknifeinteriorlight
experienced study

Recreating this painting will help students understand dramatic lighting and how to create a sense of depth using value. It also provides practice in rendering figures in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the book.

  2. step 02

    Establish the darkest and lightest areas of the painting with thin washes of color.

  3. step 03

    Begin building up the forms of the figures, paying attention to the light source and shadows.

  4. step 04

    Develop the details of the faces and hands, using smaller brushes.

  5. step 05

    Add the details of the book and knife, focusing on their texture and form.

  6. step 06

    Refine the background, keeping it dark and atmospheric.

  7. step 07

    Add final highlights to create a sense of drama and realism.

  8. step 08

    Step back and adjust values and colors as needed to achieve a cohesive and impactful image.

color palette

primary · yellow ochre · burnt umber · ivory black

secondary · titanium white · cadmium yellow · red oxide

Achieve the warm, muted tones by mixing yellow ochre with burnt umber and small amounts of black and white. Use cadmium yellow and red oxide sparingly for highlights and warmer skin tones.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details in the dark areas, losing the sense of mystery.
  • →Failing to establish a strong value structure, resulting in a flat image.
  • →Using colors that are too bright or saturated, disrupting the overall mood.
  • →Ignoring the importance of edges, making the forms appear too sharp or undefined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

A toned canvas (burnt umber wash) can be helpful for establishing the dark mood.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy