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home·artworks·Bishop Benjamin Tucker Tanner
Bishop Benjamin Tucker Tanner by Henry Ossawa Tanner

plate no. 4347

Bishop Benjamin Tucker Tanner

Henry Ossawa Tanner, 1897

oilRealismportraitportraitfiguremanclothingheadwearreligious figure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding light and shadow to create form. Students will also learn to mix skin tones and create depth using a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Establish the background color with a thin wash of burnt sienna and umber.

  3. step 03

    Block in the main areas of light and shadow on the face using a limited palette of earth tones.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows that define the form.

  5. step 05

    Paint the clothing with dark values, suggesting the folds and textures with subtle variations in tone.

  6. step 06

    Add details such as the hat and the small cross, using a fine brush.

  7. step 07

    Blend and soften edges where necessary to create a sense of realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · burnt sienna · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones by blending burnt sienna, raw umber, yellow ochre, and white. Use small amounts of cadmium red to add warmth to the cheeks and lips. Create darker values by adding ivory black to the earth tones.

techniques

  • ·portrait sketching
  • ·value studies
  • ·blending
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Using too much white, making the skin tones look chalky.
  • →Ignoring the subtle variations in tone that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A pre-primed canvas is recommended.

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oil painting for beginners →how to learn by studying the masters →
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