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home·artworks·Birch forest
Birch forest by Iván Shishkin

plate no. 8832

Birch forest

Iván Shishkin, 1871

oilRealismlandscapetreesforestwaterskygrasslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance. It also provides practice in rendering reflections in water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the water.

  2. step 02

    Establish the sky with light blues and whites, blending softly.

  3. step 03

    Block in the dark masses of the forest in the background, using dark greens, browns, and blues.

  4. step 04

    Begin layering in the greens and yellows of the foreground grass and foliage, varying the tones.

  5. step 05

    Paint the tree trunks and branches, paying attention to the light and shadow.

  6. step 06

    Add details to the foliage, using short, broken brushstrokes to create texture.

  7. step 07

    Paint the reflections in the water, using slightly darker and muted versions of the surrounding colors.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · sap green · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium yellow · raw sienna · ivory black

Mix greens by combining blues and yellows, and browns by combining reds, yellows, and blues. Use white to lighten colors and create highlights. Mute colors for shadows and reflections by adding a touch of complementary color.

techniques

  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details, leading to a stiff and unnatural look.
  • →Using too much white, resulting in chalky colors.
  • →Ignoring the subtle variations in color and tone.
  • →Not establishing a strong sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (sap green, ultramarine blue, burnt umber, titanium white, yellow ochre, cadmium yellow, raw sienna, ivory black)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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