
plate no. 8297
Albin Egger-Lienz, 1899
Recreating this painting will help students develop skills in portraiture, particularly in capturing realistic skin tones and textures, and in creating depth and form through subtle value changes.
technical profile
approach — 8 steps
Create a light sketch of the figure's pose and proportions on the canvas.
Block in the main shapes of the background, clothing, and skin tones with thin washes of color.
Establish the darkest values in the clothing and background to create contrast.
Begin building up the skin tones, focusing on the subtle shifts in color and value.
Add details to the face, paying close attention to the eyes, nose, and mouth.
Develop the texture of the beard using small, deliberate brushstrokes.
Refine the details of the hands and clothing, adding highlights and shadows.
Add final touches and glazes to unify the painting and enhance the overall effect.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · yellow ochre · ivory black
Achieve skin tones by mixing raw sienna, burnt umber, and titanium white, adjusting the ratios to create highlights and shadows. Use yellow ochre to warm up the skin tones and ivory black to darken the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Pre-toned canvas can help to establish the overall color scheme.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of James Wright
Thomas Eakins

Portrait of a lady
Karl Gussow

Sisters
Émile Auguste Hublin

Catching Up on the News
Eastman Johnson

At the porter's room
Vladimir Makovsky

The portrait painter in the country
Albin Egger-Lienz

Flowers and Fruit
Henri Fantin-Latour

Valle de México desde el Molino del Rey
Jose Maria Velasco