apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bibi-Heybat
Bibi-Heybat by Konstantin Bogaevsky

plate no. 9518

Bibi-Heybat

Konstantin Bogaevsky, 1932

oilSymbolismcityscapeoil derricksbuildingswaterskycityscapeindustrial
some experience helpful

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering reflections in water. It also provides practice in creating a sense of depth and distance in a complex scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the oil derricks, buildings, and landscape.

  2. step 02

    Establish the horizon line and the basic composition of the sky and water.

  3. step 03

    Block in the large areas of color for the sky, water, and land using thin washes.

  4. step 04

    Begin to define the shapes of the oil derricks and buildings, paying attention to their relative sizes and positions.

  5. step 05

    Add details to the landscape, including the reflections in the water.

  6. step 06

    Refine the colors and values, gradually building up the details and textures.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · payne's gray

Mix various shades of brown and gray by combining raw umber, burnt sienna, and payne's gray with varying amounts of white. Use cerulean blue and white for the sky, adding a touch of umber for the clouds.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·dry brushing
  • ·color layering
  • ·reflection rendering

common pitfalls

  • →Incorrect perspective can flatten the image.
  • →Overworking the details can make the painting look stiff.
  • →Inaccurate color mixing can lead to a muddy appearance.
  • →Ignoring the reflections in the water can make the scene look unrealistic.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Cerulean blue oil paint
  • ·Yellow ochre oil paint
  • ·Burnt sienna oil paint
  • ·Payne's gray oil paint
  • ·Round brushes (sizes 2, 4, 6)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull