apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Beyond Man's Footsteps
Beyond Man's Footsteps by Briton Riviere

plate no. 3353

Beyond Man's Footsteps

Briton Riviere, 1894

oilRealismlandscapeicebergspolar bearsunsetskylandscapearctic
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and mood. It also provides practice in rendering textures of ice and snow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the icebergs and the polar bear, paying attention to proportions.

  2. step 02

    Establish the horizon line and the position of the sun.

  3. step 03

    Apply a thin wash of burnt umber and ultramarine blue to create the underpainting, focusing on the shadows.

  4. step 04

    Block in the sky with a gradient of yellow ochre, cadmium orange, and titanium white.

  5. step 05

    Begin layering the icebergs with mixtures of titanium white, ultramarine blue, and burnt umber, varying the proportions to create different shades of gray and blue.

  6. step 06

    Add highlights to the icebergs using pure titanium white and subtle touches of yellow ochre.

  7. step 07

    Paint the polar bear with a mixture of titanium white and a touch of yellow ochre, blending the edges to create a soft, furry texture.

  8. step 08

    Add final details such as shadows and highlights to enhance the realism of the painting.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · cadmium orange

Achieve the cool tones of the ice by mixing titanium white with varying amounts of ultramarine blue and burnt umber. Create the warm sunset glow by blending yellow ochre and cadmium orange.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Not paying attention to the subtle color variations in the ice.
  • →Making the polar bear too bright or too dark in relation to the surrounding environment.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium orange oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy