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home·artworks·Besøg Hos Bedstemor
Besøg Hos Bedstemor by Hans Andersen Brendekilde

plate no. 4444

Besøg Hos Bedstemor

Hans Andersen Brendekilde, 1914

oilRealismgenre paintingfiguresbuildingchickensfoliagelandscapeyard
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective. It also provides practice in rendering textures of buildings and foliage with subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and buildings.

  2. step 02

    Establish the background landscape with a light wash, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the buildings, using a limited palette of earth tones.

  4. step 04

    Add the figures, starting with the larger shapes and gradually refining the details.

  5. step 05

    Paint the chickens, focusing on their form and the way light interacts with their feathers.

  6. step 06

    Develop the foliage, using a variety of greens and browns to create texture and depth.

  7. step 07

    Add details such as the flowers and the texture of the building walls.

  8. step 08

    Refine the overall composition and adjust values to create a sense of depth and realism.

color palette

primary · yellow ochre · burnt umber · titanium white · sap green

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the muted greens by mixing sap green with yellow ochre and a touch of burnt umber. The building's off-white color is achieved by mixing titanium white with a small amount of yellow ochre and burnt umber.

techniques

  • ·blocking in
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, sap green, cadmium red, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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