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home·artworks·Bertha Schlatter
Bertha Schlatter by Rudolf Koller

plate no. 3568

Bertha Schlatter

Rudolf Koller, 1855

oilRealismportraitportraitfiguredresslacejewelryhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a thin, even wash of neutral color.

  3. step 03

    Block in the main shapes of the figure, paying attention to the large areas of light and shadow.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes.

  5. step 05

    Develop the details of the dress, including the folds, lace, and jewelry.

  6. step 06

    Add highlights and shadows to create depth and dimension in the fabric.

  7. step 07

    Refine the hands and the handkerchief, paying attention to the delicate details.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and realistic image.

color palette

primary · ivory black · titanium white · raw umber

secondary · alizarin crimson · yellow ochre

Mix shades of gray by combining ivory black and titanium white, adjusting the ratio for different values. Use raw umber to create warm shadows and add depth. Alizarin crimson can be used sparingly to add warmth to the skin tones and the ribbon.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·rendering fabric
  • ·glazing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle value changes in the face.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for capturing the details of the painting.

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oil painting for beginners →how to learn by studying the masters →
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