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home·artworks·Bergamo, Via San Tomaso
Bergamo, Via San Tomaso by Włodzimierz Zakrzewski

plate no. 3310

Bergamo, Via San Tomaso

Włodzimierz Zakrzewski, 1970

oilRealismcityscapebuildingsstreetcityscapewindowsskyroad
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and understanding atmospheric perspective in a cityscape. It also provides practice in capturing the texture and form of buildings using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the street, focusing on perspective.

  2. step 02

    Block in the main areas of color with thin washes, establishing the overall value structure.

  3. step 03

    Begin applying thicker paint with visible brushstrokes, building up the texture of the buildings and street.

  4. step 04

    Focus on capturing the light and shadow on the buildings, using variations in color and value.

  5. step 05

    Add details such as windows and doors, using smaller brushstrokes.

  6. step 06

    Refine the sky with soft, blended brushstrokes.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Allow to dry and add a varnish coat.

color palette

primary · titanium white · raw umber · ivory black

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the various gray tones by mixing white with small amounts of black, umber, and blue. Use yellow ochre and burnt sienna to create warm highlights on the buildings.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the paint and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Making the colors too uniform and lacking variation.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·rags

optional

  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the impasto effect. Consider using a palette knife for applying thicker paint.

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oil painting for beginners →how to learn by studying the masters →
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