apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bereavement
Bereavement by Daniel Ridgway Knight

plate no. 3469

Bereavement

Daniel Ridgway Knight, 1882

oil, canvasRealismgenre paintingfiguresbuildingvillageclothinggriefrural scene
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and clothing, as well as creating a sense of depth and atmosphere through subtle color variations and value control. Students will also learn to create a narrative through composition and subject matter.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and buildings.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the values and details of the figures, paying attention to the folds of the clothing and the facial expressions.

  4. step 04

    Add details to the background, including the buildings, trees, and figures in the distance.

  5. step 05

    Refine the colors and values throughout the painting, creating a sense of harmony and atmosphere.

  6. step 06

    Pay attention to the light source and how it affects the shadows and highlights.

  7. step 07

    Add final details, such as the textures of the clothing and the details of the faces.

  8. step 08

    Glaze to unify the colors and values.

color palette

primary · raw umber · ivory black · yellow ochre · titanium white

secondary · ultramarine blue · burnt sienna · cadmium red light

Mix muted tones by combining complementary colors. Use white to lighten values and create subtle gradations. Create grays by mixing black, white, and a touch of yellow ochre.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, ivory black, yellow ochre, titanium white, ultramarine blue, burnt sienna, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy