apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bengal Lancers Returning from Port Arthur After the Capture of Neuve Chapelle (10 April 1915)
Bengal Lancers Returning from Port Arthur After the Capture of Neuve Chapelle (10 April 1915) by Fortunino Matania

plate no. 7161

Bengal Lancers Returning from Port Arthur After the Capture of Neuve Chapelle (10 April 1915)

Fortunino Matania, 1915

oilRealismillustrationhorsessoldiersfiguresroadlandscapesky
experienced study

This painting offers practice in rendering realistic figures and horses in motion, as well as creating atmospheric perspective to suggest depth. Students will also develop skills in value control to create form and light.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the horses and riders.

  2. step 02

    Establish the horizon line and the receding perspective of the road.

  3. step 03

    Block in the main shapes of the horses and riders with mid-tone grays.

  4. step 04

    Add darker values to define the forms and create shadows.

  5. step 05

    Introduce lighter values to highlight the horses and riders, paying attention to the light source.

  6. step 06

    Refine the details of the faces, clothing, and horse tack.

  7. step 07

    Add reflections on the wet road surface.

  8. step 08

    Soften edges and blend values to create a sense of atmosphere.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining black and white. Add small amounts of raw umber or yellow ochre to warm the grays slightly. Payne's gray can be used for cooler shadows.

techniques

  • ·grisaille underpainting
  • ·atmospheric perspective
  • ·value studies
  • ·blending
  • ·rendering

common pitfalls

  • →Overworking details too early
  • →Creating flat, lifeless grays
  • →Ignoring the perspective of the road
  • →Failing to capture the movement of the horses

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes
  • ·flat brushes
  • ·palette knife

optional

  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the underpainting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy