plate no. 3335
Begging monk with donkey
study guide
est. 12 hrsapproach — 8 steps
- step 01
Lightly sketch the main shapes: the monk, donkey, doorway, and wall.
- step 02
Block in the large areas of color, focusing on the overall value structure.
- step 03
Establish the darkest shadows and lightest highlights.
- step 04
Begin refining the shapes and adding details to the monk and donkey.
- step 05
Develop the texture of the wall and doorway with broken color.
- step 06
Add details to the donkey's tack and the monk's clothing.
- step 07
Soften edges and blend colors where necessary.
- step 08
Add final highlights and details to create a sense of realism.
color palette
primary · raw umber · titanium white · yellow ochre
secondary · burnt sienna · ultramarine blue · cadmium yellow
Achieve the earthy tones by mixing raw umber and white, and adjust the warmth with yellow ochre and burnt sienna. Use ultramarine blue to create cooler grays and shadows.
techniques
- ·broken color
- ·dry brushing
- ·scumbling
- ·value studies
- ·blending
common pitfalls
- →Overworking the details too early.
- →Creating overly smooth, blended surfaces.
- →Failing to capture the subtle value changes.
- →Ignoring the texture of the wall and doorway.
materials
surface · stretched canvas
required
- ·stretched canvas (12x16 inches)
- ·raw umber oil paint
- ·titanium white oil paint
- ·yellow ochre oil paint
- ·burnt sienna oil paint
- ·ultramarine blue oil paint
- ·round brushes (sizes 2, 4, 6)
- ·linseed oil
optional
- ·palette knife
- ·odorless mineral spirits
- ·medium (e.g., Liquin)
Use a medium-tooth canvas to better capture the texture. Consider toning the canvas with a thin wash of raw umber before starting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein
