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home·artworks·Beggars near the Church
Beggars near the Church by Ivan Tvorozhnikov

plate no. 7207

Beggars near the Church

Ivan Tvorozhnikov, 1889

oil, canvasRealismgenre paintingfigureschurchbeggarslandscapepovertywinter
experienced study

Recreating this painting will help students develop skills in depicting figures in a realistic manner, understanding atmospheric perspective, and mastering subtle color variations to create a somber mood. Students will also learn to create the illusion of reflections on a wet surface.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the church.

  2. step 02

    Establish the background with a thin wash of muted grays and blues to create the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures with simplified color masses, paying attention to their relative sizes and positions.

  4. step 04

    Start adding details to the figures, focusing on their clothing, facial features, and gestures.

  5. step 05

    Develop the reflections on the wet ground, using horizontal strokes and muted colors to mimic the distorted images.

  6. step 06

    Refine the details of the church building, paying attention to the light and shadow.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the mood.

color palette

primary · gray · brown · ochre · white

secondary · blue · red · black

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, red and green) with white. Use thin glazes of color to create subtle variations and depth.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·reflection rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the atmospheric perspective and creating a flat, unrealistic image.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (gray, brown, ochre, white, blue, red, black)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Turpentine or mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Retouch varnish
  • ·Easel

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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