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home·artworks·Before the storm
Before the storm by Konstantinos Volanakis

plate no. 5425

Before the storm

Konstantinos Volanakis, 1885

oilRealismmarinashipswaterskyboatsharborbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, rendering reflections in water, and depicting complex shapes like ships with simplified brushstrokes. It's also a good exercise in creating a moody, overcast atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and size of the ships and buildings.

  2. step 02

    Establish the horizon line and the overall tonal values of the sky and water.

  3. step 03

    Block in the main shapes of the ships with dark and light values, focusing on the largest ship first.

  4. step 04

    Begin adding details to the ships, such as masts, sails, and rigging, using thin brushes.

  5. step 05

    Paint the reflections in the water, using similar colors and values as the objects above, but with softer edges.

  6. step 06

    Add the buildings and other elements on the shore, simplifying their details.

  7. step 07

    Refine the sky and water, blending the colors and adding subtle variations in tone.

  8. step 08

    Add final details and highlights to create depth and interest.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the muted tones by mixing black and white with small amounts of earth tones and blues. Use yellow ochre and burnt sienna for the warm highlights on the ships and buildings.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details on the ships, making them look too sharp and defined.
  • →Making the reflections too perfect or symmetrical.
  • →Not creating enough variation in the sky and water, resulting in a flat and lifeless effect.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gel
  • ·varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas (e.g., raw umber wash) to establish a base tone.

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oil painting for beginners →how to learn by studying the masters →
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