apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bee families in the forest
Bee families in the forest by Iván Shishkin

plate no. 6406

Bee families in the forest

Iván Shishkin, 1876

oilRealismlandscapetreesforeststreamfigurebeehivescabin
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in rendering realistic textures of foliage and water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the stream, trees, and beehives.

  2. step 02

    Establish the sky and distant background with light, airy washes.

  3. step 03

    Block in the main shapes of the trees and foliage with darker greens and browns.

  4. step 04

    Begin layering colors in the trees, adding highlights and shadows to create volume.

  5. step 05

    Paint the stream, paying attention to reflections and the texture of the rocks.

  6. step 06

    Add details to the beehives and cabin, using smaller brushes.

  7. step 07

    Refine the foreground foliage, adding highlights and details to create depth.

  8. step 08

    Add the figure, paying attention to its proportions and placement within the scene.

color palette

primary · sap green · burnt umber · titanium white

secondary · yellow ochre · ultramarine blue · cadmium yellow

Mix greens by blending sap green with yellow ochre and ultramarine blue. Use white to lighten colors and create highlights. Create browns by mixing burnt umber with blue and yellow.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details in the trees, resulting in a flat, unrealistic appearance.
  • →Failing to create a sense of depth in the foliage.
  • →Making the stream too uniform and lacking in texture.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy