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home·artworks·Beauty and the butterfly
Beauty and the butterfly by Vittorio Matteo Corcos

plate no. 9665

Beauty and the butterfly

Vittorio Matteo Corcos

oil, canvasRealismportraitfigureportraitbutterflydresshairbird
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing soft blending techniques to create a dreamy atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, butterfly, and bird.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figure's skin and clothing.

  3. step 03

    Begin refining the skin tones, using subtle color variations to create depth and form.

  4. step 04

    Add details to the face, paying attention to the eyes, nose, and mouth.

  5. step 05

    Render the folds and drapery of the dress, using light and shadow to create a sense of volume.

  6. step 06

    Paint the butterfly and bird, using small brushes to capture their delicate details.

  7. step 07

    Blend the edges of the forms to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · titanium white · yellow ochre · burnt sienna · ivory black

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Mix skin tones by blending white, yellow ochre, and a touch of burnt sienna. Use ultramarine blue and white to create the cool tones in the dress. Add a touch of alizarin crimson to warm up the skin tones.

techniques

  • ·soft blending
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Overblending, which can result in a flat, lifeless appearance.
  • →Using too much detail in the background, which can distract from the main subject.
  • →Failing to capture the likeness of the figure.
  • →Inaccurate color mixing, leading to unnatural skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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