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home·artworks·Beautiful S
Beautiful S by Iman Shaggag

plate no. 3861

Beautiful S

Iman Shaggag, 2018

oil, canvasRealismlandscapetreeleavesgroundshadowskylandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how light and shadow define form in a landscape. It also provides practice in capturing the essence of a complex subject with relatively loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the tree, ground, and sky, paying attention to the overall composition.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin layering in the darker greens of the foliage, using short, broken brushstrokes.

  4. step 04

    Add lighter greens and yellows to suggest highlights on the leaves.

  5. step 05

    Paint the ground with a mix of browns, oranges, and yellows, varying the color and value to create interest.

  6. step 06

    Define the shadows cast by the tree, using darker blues and purples.

  7. step 07

    Add details to the tree trunk and branches.

  8. step 08

    Refine the highlights and shadows throughout the painting, adjusting the colors as needed.

color palette

primary · sap green · burnt umber · titanium white

secondary · cadmium yellow · ultramarine blue · cadmium orange

Mix greens by combining blues and yellows, and adjust the value with white or burnt umber. Use orange and burnt umber for the ground, and add blue to create shadows.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details in the leaves, resulting in a flat, lifeless appearance.
  • →Failing to create enough contrast between the light and shadow areas.
  • →Using colors straight from the tube without mixing them, leading to a harsh, unnatural look.
  • →Not paying attention to the overall composition and balance of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (sap green, burnt umber, titanium white, cadmium yellow, ultramarine blue, cadmium orange)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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