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home·artworks·Beautiful and Ugly
Beautiful and Ugly by Adriaen van de Venne

plate no. 7101

Beautiful and Ugly

Adriaen van de Venne, 1634

oil, panelBaroqueallegorical paintingfiguresmusical instrumentportraitallegoryold age
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering aged features and textures, as well as understanding limited color palettes and value relationships to create depth and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures and instruments.

  2. step 02

    Establish the overall warm, earthy tone by applying a thin wash of burnt umber across the canvas.

  3. step 03

    Block in the main areas of light and shadow on the faces and clothing using a limited palette of browns, ochres, and whites.

  4. step 04

    Begin refining the facial features, paying close attention to the wrinkles, folds, and bone structure.

  5. step 05

    Develop the textures of the hair, beard, and clothing using short, broken brushstrokes.

  6. step 06

    Add subtle color variations to the skin tones and clothing to create depth and interest.

  7. step 07

    Refine the details of the musical instruments, paying attention to their shapes and textures.

  8. step 08

    Add final highlights and shadows to enhance the sense of form and volume.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown by combining burnt umber with white, yellow ochre, and a touch of black. Use thin glazes to build up color and depth.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much color, which can detract from the overall warm, earthy tone.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Ignoring the importance of texture in rendering the aged features and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to establish the warm undertones.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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