
plate no. 2016
Jan Lievens, 1631
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing chiaroscuro to create depth and form.
technical profile
approach — 8 steps
Create a light sketch outlining the basic shapes of the head, beard, and cloak.
Block in the background with a dark, muted brown.
Establish the main light and shadow areas on the face and cloak using thin washes of color.
Begin building up the skin tones with layers of subtle color variations, paying attention to highlights and shadows.
Develop the beard by layering thin strokes of white, gray, and brown to create texture and volume.
Refine the details of the eyes, nose, and mouth, focusing on capturing the likeness of the subject.
Add highlights to the cloak and beard to enhance the sense of depth and dimension.
Make final adjustments to the overall composition and color balance.
color palette
primary · raw umber · titanium white · burnt sienna
secondary · yellow ochre · cadmium red light · ivory black
Mix skin tones by blending white, sienna, and a touch of red. Use umber and black to create shadows. Achieve the cloak color by mixing sienna, umber, and ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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