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home·artworks·Bearded Old Man Wearing a Brown Cloak
Bearded Old Man Wearing a Brown Cloak by Jan Lievens

plate no. 2016

Bearded Old Man Wearing a Brown Cloak

Jan Lievens, 1631

oilBaroqueportraitportraitfiguremanbeardcloakold man
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes of the head, beard, and cloak.

  2. step 02

    Block in the background with a dark, muted brown.

  3. step 03

    Establish the main light and shadow areas on the face and cloak using thin washes of color.

  4. step 04

    Begin building up the skin tones with layers of subtle color variations, paying attention to highlights and shadows.

  5. step 05

    Develop the beard by layering thin strokes of white, gray, and brown to create texture and volume.

  6. step 06

    Refine the details of the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  7. step 07

    Add highlights to the cloak and beard to enhance the sense of depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · yellow ochre · cadmium red light · ivory black

Mix skin tones by blending white, sienna, and a touch of red. Use umber and black to create shadows. Achieve the cloak color by mixing sienna, umber, and ochre.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·layering

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to capture the likeness of the subject.
  • →Creating a flat, lifeless beard by not layering enough colors and textures.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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