apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bazaar in Anatolia
Bazaar in Anatolia by Huseyin Avni Lifij

plate no. 3205

Bazaar in Anatolia

Huseyin Avni Lifij

oilRealismcityscapebuildingsstreetfigureskyarchitecturemarketplace
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice applying visible brushstrokes to create texture and form. It also provides practice in creating a sense of depth and perspective in a cityscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the large areas of color, starting with the sky and then the buildings.

  3. step 03

    Mix and apply the local colors of each building, paying attention to subtle variations in hue and value.

  4. step 04

    Add details to the buildings, such as windows, doors, and rooflines.

  5. step 05

    Paint the figure in the foreground, focusing on the drapery and form.

  6. step 06

    Add shadows and highlights to create depth and dimension.

  7. step 07

    Refine the details and adjust the colors as needed.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · violet · sap green

Mix white with yellow ochre and a touch of burnt sienna for the warm tones of the buildings. Use ultramarine blue and white for the sky. Mix violet with white for the shadows on the buildings.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·color temperature
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Not paying attention to the subtle color variations in the buildings.
  • →Creating too much contrast and losing the overall harmony of the painting.
  • →Failing to establish a strong sense of perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a limited palette of colors to simplify the color mixing process. Apply thin layers of paint to allow for better blending and layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy