apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Basket of Plums
Basket of Plums by Jean-Baptiste-Simeon Chardin

plate no. 7656

Basket of Plums

Jean-Baptiste-Simeon Chardin, 1759

oil, canvasBaroquestill lifeplumsbasketglassstill lifefruitcherries
some experience helpful

This painting is a good exercise in rendering form with subtle value changes and creating a sense of depth through atmospheric perspective. Students will learn to mix realistic browns and grays and to suggest textures rather than rendering every detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the basket, glass, and plums.

  2. step 02

    Establish the background with a thin wash of burnt umber and raw sienna, creating a gradient from darker at the top to lighter at the bottom.

  3. step 03

    Block in the main shapes of the plums and basket with their respective base colors.

  4. step 04

    Begin to build up the form of the plums by layering highlights and shadows, using subtle color variations.

  5. step 05

    Add details to the basket, suggesting the woven texture with short, broken brushstrokes.

  6. step 06

    Paint the glass, capturing its transparency and reflections.

  7. step 07

    Add the cherries and any other small details, such as the leaves and the tabletop.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Mix browns by combining burnt umber and raw sienna with small amounts of blue or red. Use white to create highlights and to lighten the overall tone. Achieve the plum color by mixing red with brown and a touch of blue.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Using colors that are too saturated and not harmonizing with the overall palette.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne